Shooting lures as standard images and also as UV spectrum, not UV glow, isn’t that simple but with all of planning and setup its done quite quickly. Before the setup these lures need a real thorough clean, UV lights reveal event the slightest bit of dust, finger print or oil from skin....

    Shooting lures as standard images and also as UV spectrum, not UV glow, isn’t that simple but with all of planning and setup its done quite quickly. The difficult part was I needed to photograph the lures with twin studio lights and at the same time take the next image with UV...

  Shooting multiple surface finish lures from matt to chrome in a range is no different, its all about avoiding reflections, on flat surfaces is a lot easier compared to small round products like fishing lures. Understanding light direction and shaping it to suit is the main method, but also using shift or perspective...

          Back at the start of 2020 I was asked the task of creating UV images of lures that have a UV spectrum, most others use a UV reactive i.e. they glow in the dark. As far as I could research no one was really doing what I was asked...

        Back at the start of 2020 I was asked the task of creating UV images of lures that have a UV spectrum, most others use a UV reactive i.e. they glow in the dark. As far as I could research no one was really doing what I was asked to...

  Silicone skirted lures can just be painful to shoot, as someone who is pedantic about getting everything in perfect angles, silicone skirts just don’t play the game. Nothing ever is straight, but one thing is that it’s basically impossible to get them perfect. And here’s the reason…  every skirt color or finish (like...

  Camera: Nikon Z7 Lens: NIKKOR PC-E Micro Nikkor 85mm f2.8D with FTZ adapter. ISO: 64 Exposure Mode: manual Aperture f11 Speed: 1/250th second Notes: Trigger: Godox XPro N AND NIKON WR-10 Lighting Flash: 2 x Godox AD300 PRO with Godox ADS65W.  Trigger: Godox XPro N and Nikon WR-10

    Before and After UV Project Back at the start of 2020 I was asked the task of creating UV images of lures that have a UV spectrum, most others use a UV reactive i.e. they glow in the dark. As far as I could research no one was really doing what I...

  Before and After UV Project Back at the start of 2020 I was asked the task of creating UV images of lures that have a UV spectrum, most others use a UV reactive i.e. they glow in the dark. As far as I could research no one was really doing what I was...

  Before and After UV Project Back at the start of 2020 I was asked the task of creating UV images of lures that have a UV spectrum, most others use a UV reactive i.e. they glow in the dark. As far as I could research no one was really doing what I was...

Shooting chrome products is all about avoiding reflections, on flat surfaces is a lot easier compared to small round products like fishing lures. Understanding light direction and shaping it to suit is the main method, but also using shift or perspective control lenses help immensely. On small products you can place the camera to...

Shooting chrome products is all about avoiding reflections, on flat surfaces is a lot easier compared to small round products like fishing lures. Understanding light direction and shaping it to suit is the main method, but also using shift or perspective control lenses help immensely. On small products you can place the camera to...