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AF-S 28mm f/1.4E ED

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May 31

Capture stunning portraits and landscapes from a natural perspective with the FX-format wide-angle AF-S NIKKOR 28mm f/1.4E ED lens. With a maximum aperture of f/1.4, this lens delivers outstanding performance, even in low-light conditions. Containing two Extra-Low Dispersion glass elements and three aspherical lens elements, the AF-S NIKKOR 28mm f/1.4E ED reduces chromatic aberrations and distortions, giving you edge-to-edge sharpness and clarity in every shot. Experience true optical and imaging excellence with the AF-S NIKKOR 28mm f/1.4E

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AF-S Fisheye 8-15mm f/3.5-4.5E ED

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May 31

Amplify your creativity and discover new perspectives with the AF-S Fisheye 8-15mm f/3.5-4.5E ED, NIKKOR’s first ever fisheye zoom lens. With the ability to achieve a circular fisheye and full-frame fisheye effect, the AF-S Fisheye 8-15mm f/3.5-4.5E ED brings together incredible optical performance with an unobstructed angle of view, all with minimal distortion across the entire frame. Experience a new perspective Capture a full 180° like never before with the eye-opening AF-S Fisheye 8-15mm f/3.5-4.5E

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100% View

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Oct 26

To check to see if one of your images is in focus you will generally zoom in the image on your camera. But this can often be a slow process especially if you are under the pump to shoot images fast. But there is a quick way around this for Nikon D700, D300, D300s,D3, D3S, D3X, D800, D810 and D750 users. When viewing an image the centre button can be set to view an image

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New Nikkor PC 19mm f/4E ED

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Oct 19

Nikon has announced a new PC Nikkor 19mm F4E ED tilt-shift lens (which the company calls ‘Perspective Control.’) This ultra-wide lens offers 97° of coverage and can shift ±12mm and tilt ±7.5°. Unlike the company’s existing PC-E designs, the mechanism for tilt can be rotated independently from the mechanism for shift, allowing the tilt to be set either parallel or perpendicular to the shift.  The lens has three ED and two aspherical elements as well

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New Nikkor AF-S 70-200mm 2.8E FL ED VR

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Oct 19

Nikon has released the latest iteration of its workhorse 70-200mm F2.8 lens. The AF-S Nikkor 70-200mm F2.8E FL ED VR, as it is known, has a new optical design, improved Vibration Reduction as well as an electromagnetic diaphragm. The lens has a total of 22 elements, with 6 ED, 1 fluorite and 1 high refractive index element. A Nano Crystal Coat reduces flare and ghosting while fluorine coatings on the front and rear class helps prevent

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Nikkor Classics – AF Nikkor 28mm f/1.4D

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Aug 19

Nikon’s classically styled Df was designed for the ultimate photographic experience, a camera for those who are mastered their technique pre–digital with film and for those new age photographers that longed for old school design with modern technology. The Df stirred up the photographic community, you either hated it or loved it. Right -Mounted on a silver edition of the Df, the AF Nikkor 28mm f1.4D matches the classic styling of the Df. It may

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New AF-S NIKKOR 105mm f/1.4E ED Announced

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Jul 27

Portraits in smooth perfection with the new AF-S NIKKOR 105mm f/1.4E ED Fast, prime mid-telephoto lens delivering the large, smooth and beautiful bokeh and edge-to-edge rendering SINGAPORE – The new AF-S NIKKOR 105mm f/1.4E ED, a fast, mid-telephoto fixed focal length lens which responds to the demands of professional and advanced amateur photographers pursuing their imaging creativity with a variety of photographic scenes, is announced by Nikon Singapore Pte. Ltd. today. The lens is also

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Nikon D5 AF Fine Tune

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Jul 15

Achieving perfect focus has always been the Achilles Heal of DSLR’s, like many other photographers I have always relied on the fine-tuning lens system called Lens Align. Though a good product, it is not the easiest or quickest way to calibrate a lens. Step up the latest from Nikon to rectify this issue. Among the plethora of features introduced in Nikon’s new D5 and D500, I was particularly excited by automated AF Fine Tune feature.

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AF-S NIKKOR 300mm f/4E PF ED VR

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Jul 14

  Good things often come in small packages and one of the biggest, lightest and possibly smallest lens releases from Nikon of recent times has been in my hands for the past week. It’s the almost diminutive AF-S Nikkor 300mm f/4E PF ED VR, a lens with new designs and something that just does not seem to calculate quite right, a 300mm that is so light and compact like never before. Right- The AF-S Nikkor

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Nikon AW1

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Jul 14

 Thanks to Nikon Australia I have just taken on a couple of the Nikon AW1’s for filming underwater for “The Next Level” series. For many film professionals out there the standard for the past few years has been the Go Pro series. While they are good, the lack of ability to program them or even see what you are filming has been its Achilles heal. Now with the introduction of the AW1, full HD video

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Nikon Df – Photographic Pleasure

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Jul 14

It’s pretty obviously too most people that I have a passion for manual cameras, I’ve always been a Leica fan and they are the ultimate manual cameras. But for the past twenty plus years most of my work is carried out with Nikons, from the early days with film in the F5, the coming of the digital age in 1999 with the D1 and now the D810, I’ve been through all the Nikon pro cameras.

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AF-S NIKKOR 300mm f/4E PF ED VR arrives this week

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Jul 14

The new The AF-S NIKKOR 300mm f/4E PF ED VR arrives this week on loan from Nikon Australia and NPS. Looking forward to using this amazingly compact lens on the Nikon D810 and D750 in the coming weeks. The AF-S NIKKOR 300mm f/4E PF ED VR marries innovative optical technology with superb design, offering you unrivalled performance in the world’s lightest 300mm autofocus (AF) lens. Built with Nikon’s proprietary Phase Fresnel (PF) lens, this telephoto

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