Sunglasses are one of the most challenging products to shoot, they reflect everything! To make it even more challenging, combine a wide range of lens colors, frames and multiple colors to the mix, plus a display stand and it is really challenging. Three lights and a lot of diffusers and reflectors were used to...

Mirror lens sunglasses present many issues with reflection, more challenging than almost any metallic object. Shoot them underwater in motion and then its even more of a challenge. Though you could shoot them separately and create a blended image, that’s not my style, I personally always want to get the photo in one shot...

  Camera: Nikon Z7 Lens: Nikon PC-E 85mm f2.8 ED with FTZ Adapter ISO: 64 Exposure Mode: manual Aperture f16 Speed: 1/250th second Notes: Trigger: Godox XPro N and Nikon WR-10 Lighting Godox ADD600 PRO with 70cm Beauty Dish,  2 x Good V1 50cm Beauty Dish  and Lastolite Tent

Sunglasses are always challenging, a big beauty dish creates gorgeous soft light but there is no off the shelf light modifiers like reflectors that suit, making your own is the only way, after lots of cutting, taping and bending, perfect! No post production work required for sunglasses, clean reflections every time. A Godox V1...

Sunglasses are always challenging, a big beauty dish creates gorgeous soft light but there is no off the shelf light modifiers like reflectors that suit, making your own is the only way, after lots of cutting, taping and bending, perfect! No post production work required for sunglasses, clean reflections every time. Camera: Nikon Z7...

Sunglasses are always challenging, there is no off the shelf light modifiers, making your own is the only way, after lots of cutting, taping and bending, perfect! No post production work required for sunglasses, clean reflections every time. Camera: Nikon Z7 Lens: Nikon PC-E 85mm f2.8 ED with FTZ Adapter ISO: 64 Exposure Mode:...

Super elaborate setup early this morning to create an dropdown/splash effect for the Hobie Polarized Mojo sunglasses. An assortment of cables, triggers, reflectors and flashes…. Get it done Camera: Nikon Z7 Lens: Nikon PC-E 45mm f2.8E ED with FTZ Adapter ISO: 400 Exposure Mode: manual Aperture f16 Speed: 1/2000th second Notes: Trigger: Godox XPro...

  Camera: Nikon Z7 Lens: Nikon PC-E 45mm f2.8D ED with FTZ ISO: 64 Exposure Mode: manual Aperture f16 Speed: 1/125th second Notes: FTZ Adapter Lighting Three Godox ADD600 PRO, 140cm Strip Boxes, Two Godox V1 with 50cm Beauty Dishes Godox XPro N and Aurora White Reflectors

  Camera: Nikon Z7 Lens: Nikon PC-E 85mm f2.8 ED ISO: 64 Exposure Mode: manual Aperture f11 Speed: 1/60th second Notes:  FTZ Aadapter Lighting Flash: Godox V1 with 75cm Beauty Dish  Trigger: Godox XPro N

  Camera: Nikon Z7 Lens: Nikon PC-E 85mm f2.8 ED with FTZ Adapter ISO: 64 Exposure Mode: manual Aperture f11 Speed: 1/250th second Notes: Polished Alloy Print of surf as a reflection on the lenses Lighting Godox ADD600 PRO, 140cm Octobox/Grid, Nikon SB5000, Godox XPro N and Godox X1 Aurora White Reflectors

  Camera: Nikon Z7 Lens: Nikon PC-E 85mm f2.8 ED with FTZ ISO: 64 Exposure Mode: manual Aperture f11 Speed: 1/250th second Notes: FTZ Adapter Lighting Godox ADD600 PRO, 140cm Octobox/Grid, Nikon SB5000, Godox XPro N and Godox X1 Aurora White Reflectors

  Camera: Nikon D850 Lens: Nikon PC-E 45mm f2.8D ED with FTZ ISO: 64 Exposure Mode: manual Aperture f11 Speed: 1/250th second Notes: FTZ Adapter Lighting Godox ADD600 PRO, 140cm Octobox/Grid, Godox XPro N and Aurora White Reflectors